SCULPTURE
SCULPTURES/ FACSIMILES/ RECLAIMED MATERIALS
BYRD ON REPURPOSING & ‘CLUDGING’
“This is about working with things at hand; the use of resources. Walking the highway for me used to be about slowing that journey – surveying –asking what is there? What can I do with what I find here?”
“A lot of what catches my interest is ambiguity & repurposing. ‘kludging’ is a derogatory term for a bad fix. (e.g. a bike-frame repaired with broomstick). The amount of effort gone into a bad fix is [impressive, but it is] still a bad fix. I am interested in stepping around received expectations.
‘kludging’ is the world passed through someone’s hands, is remade, reimagined, unfettered by expectations… it bucks control ….fresh eyes, to achieve these things is to buck the consumption – not “why did you do that”??
- In the same moment that you see it, the question is not why?, because you can immediately see the purpose of a built solution – but instead you ask –HOW DID YOU COME TO CHOSE THAT SOLUTION???
Non-sensical production, invention, redirecting of use and re-engineering of purpose - That comes in the context of our super affluent society, where gadgets are mainstay - The first world is over serviced and under active”
SloughingStudio- Contour556 2020 Acollaboration with Hanna Hoyne and Amanda Stuart - multi room sculpture | video installation with performance projections by Ellis Hutch and her collaborators
SloughingStudio- Contour556 2020 a collaboration with Hanna Hoyne and Amanda Stuart - multi room sculpture | video installation with performance projections by Ellis Hutch with Caroline Huf and Pablo Latona, River diary 2020.
SloughingStudio- Contour556 2020 A collaboration with Hanna Hoyne and Amanda Stuart - multi room sculpture | video installation with performance projections by Ellis Hutch with Caroline Huf and Pablo Latona, River diary 2020.
VESPA-SloughingStudio Contour556 2020
VESPA- SloughingStudio Contour556 2020 A collaboration with Hanna Hoyne and Amanda Stuart - multi room sculpture | video installation
Street/Studio; A 1:1 cardboard re-visioning of my car. As shown in the exhibition inertia creeps 2016 Canberra Contemporary Arts Space
fashionably numb; In collaboration with Dr Hanna Hoyne A 1:1 ratio cardboard ute and bobcat. floating on 9 bales of denim (collected in just 10 days by the Salvation Army) Fashionably Numb sustainable fashion festival curated by PurePod Dairy Flat Road precinct Canberra
fashionably numb; In collaboration with Dr Hanna Hoyne A 1:1 ratio cardboard ute and bobcat. floating on 9 bales of denim (collected in just 10 days by the Salvation Army) Fashionably Numb sustainable fashion festival curated by PurePod Dairy Flat Road precinct Canberra
fashionably numb studio shot
An escritoire blown up to habitable dimensions - for the group show Talking to the Taxman about Poetry-School of Art & Design Gallery Australian National University
perfection is opaque- Internationalist curated by Dr Kirsten Farrell M16 Art Space Gallery Griffith
perfection is opaque- Internationalist curated by Dr Kirsten Farrell M16 Art Space Gallery Griffith
embrace- collaboration with Atune Art Not Apart Festival Canberra
Dream Machine- Belconnen Arts Centre Canberra. A sculpture installation (1:1 cardboard bus) featuring paste-ups, video projections and sound created in collaboration with taLKbLaK
Dream Machine- Belconnen Arts Centre Canberra. A sculpture installation (1:1 cardboard bus) featuring paste-ups, video projections and sound created in collaboration with taLKbLaK
Dream Machine- Belconnen Arts Centre Canberra. A sculpture installation (1:1 cardboard bus) featuring paste-ups, video projections and sound created in collaboration with taLKbLaK
Dream Machine- Belconnen Arts Centre Canberra. A sculpture installation (1:1 cardboard bus) featuring paste-ups, video projections and sound created in collaboration with taLKbLaK
Cardboard TV (fits working monitor) commissioned for Interagency Governmental Projects fair.
hochsitz (#6)- installed in Nishi Gallery for Today I, Tomorrow You, curatoed by Chloe Mandryk
hochsitz (#7) - Nishi Gallery for Today I, Tomorrow You, curatoed by Chloe Mandryk
hochsitz (#2) installed in Kaleen, produced for Ambush Gallery Kambri ANU